| 1-1. | The way down |
| 1-2. | Common to all |
| 1-3. | A tiels leis |
| 1-4. | Second self |
| 1-5. | Shot one |
| 1-6. | The scene |
| 1-7. | Where it withdraws |
| 1-8. | Shared out |
| 1-9. | Houfnice |
| 1-10. | Phrase ordering |
| 1-11. | The paths not taken |
| 1-12. | More acute |
| 1-13. | Le vide |
| 1-14. | Often a bird |
| 1-16. | Now you see it, now you don't (Closing) |
| 1-17. | Handgriff |
| 2-1. | As hay in the sun |
| 2-2. | Ce bruit |
| 2-3. | Eine kugelrunde null |
| 2-4. | Coltan |
| 2-5. | No plans, no projects |
| 2-6. | The weight of the height |
| 2-7. | The land beyond the sunset (Live in Lisbon) |
| 2-8. | Kept in grip |
| 2-9. | Close cover |
| 2-10. | At risk |
| 2-11. | Tout est visible |
| 2-12. | La brume |
| 2-13. | In a frank manner |
| 2-14. | In 3 or 4 days |
| 2-15. | Double distanced |
| 2-16. | The grasp of letting go |
| 3-1. | The way up |
| 3-2. | Ta tête |
| 3-3. | Birds for the mind |
| 3-4. | It's halting |
| 3-5. | Glue of words |
| 3-6. | Tourtour |
| 3-7. | La femme de nulle part (Live in Lisbon) |
| 3-8. | Spanne |
| 3-9. | 4 Mains |
| 3-10. | In effigy |
| 3-11. | Perfectly uncovered |
| 3-12. | Et pourtant |
| 3-13. | Years without history |
| 3-14. | Acted out |
| 3-15. | Naviamente |
| 3-16. | Effaced horizons |
| 3-17. | Struggle for pleasure |
